2018 Solo Show, Studio Gallery, Washington, DC
2017 ReFORMation, Dadian Gallery, Washington, DC
2017 Love, Studio Gallery, Washington, DC
2016 Duo Show, The Usual Sins, Studio Gallery, Washington DC
2016 Duo Show, Garden Gallery, Studio Gallery, Washington DC
2015 Ensemble, Group Show, Studio Gallery, Washington DC
2015 Common Ground, Group Show, Korean Cultural Center, Washington DC
2015 Then and Now, 50th Anniversary Group Show, Studio Gallery, Washington DC
2012 All Media Exhibit, September, Art League Gallery, Alexandria VA
2012 All Media Exhibit, April, Art League Gallery, Alexandria VA
2011 All Media Exhibit, December, Art League Gallery, Alexandria VA
2012 Heisman Award, Best in Show, “Buona Fortuna”
Art League Gallery, Alexandria VA
2012 Honorable Mention, “Artist Conversing with L. Freud”
Art League Gallery, Alexandria VA
2011 Honorable Mention, “Greeting My Inner Lone Ranger”
Art League Gallery, Alexandria VA
Corcoran College of Art + Design
The Art League School
Ph.d., University of Pittsburg, International Relations
Masters of Public and International Affairs, GSPIA at University of Pittsburg
B.A., University of Cincinnati, Phi Beta Kappa
College Professor and research consultant on international topics,
with specialization in epistemology and terrorism
Installation from Miriam Keeler's Exhibition "The Usual Sins"
Although her Studio Gallery show is titled “The Usual Sins,” Miriam Keeler hasn’t forgotten that the seven cardinal offenses are traditionally deemed “deadly.” Skeletons appear in most of these paintings, their intimations of mortality juxtaposed with up-to-date sources of temptation, such as a yoga class and an upscale grocery’s bakery department. “Pride” includes selfies, “Anger” the 9/11 attacks, and “Sloth” a man who doesn’t clean up his dog’s droppings.
That last vignette is not the only earthy one in the series. Like a latter-day Pieter Brueghel, Keeler depicts everyday life, complete with body parts and bodily functions that are usually hidden. Yet her palette is not that of a Dutch Renaissance painter. Rather than browns and tans, the artist employs bright, crisp hues — the colors of mass-market advertising and marketing. She also interjects art-history references, from the prehistoric (and definitely earthy) “Venus of Willendorf” to Roy Lichtenstein. As a stylist, Keeler is neither a Brueghel nor a Lichtenstein, but her mix of classical and modern energizes her work.
— Mark Jenkins
I use self-portraiture, figuration, and narrative to explore issues of personal psychology, identity and culture. My primary medium is oil paint, although I enjoy using gouache and pastels as well. My projects usually consist of a series of paintings that unveil different aspects of a theme. Hefty tomes have been written about many of the themes that interest me, but I have found that visual imagery often leads to insights that are not so easily captured in words.
In my project on the Seven Deadly Sins I investigate contemporary life through the lenses of Gluttony, Envy, Sloth, Anger, Greed, Lust and Pride in seven separate paintings. Are these “sins” as old-fashioned as they sound today? Or do they provide the energy that fuels modern life in our media-oiled, consumer-driven society? In my overview of the sins I use contemporary compositions and contexts in combination with saturated colors and flattened figures that harken back to medieval times when the seven deadly sins were frequent artistic subjects.
I explore my own psyche in the Animus Committee Self-Portraits using Jungian ideas about anima and animus. These self-portraits reference male figures—both historical and fictional—who live in my psyche and support my development as a person and as an artist. My hyper-female presentation of self represents to me how my character is enhanced by their support.
The paintings in the project Pursued by My Inner Animals are hybridized self-portraits depicting imagined Kafka-like metamorphoses from my human self into various animals. They reflect both a fear of the incumbent loss of human identity and a fascination with morphological possibilities. The line between human and animal is mysterious.
Other projects I continue to work on include Self-Portraits as Artist in which I delve into my identity as an artist, Homages in which I try to connect with the artists who inspire me, Sex and Gender, and Family Dramas. In these, as in all of my projects, painting and comparative imagery provide an enlightening and therapeutic road to knowledge.
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